In every big city, more pedestrians run red lights than motorists. Impatient and confident that no driver would purposely run them over, they dart across the red lights or inch off the curb and into the intersection to get a head start when the light turns green. This doesn’t happen much in Los Angeles where automobiles are “king,” and pedestrians know that they have few rights.Cars speed down city streets, daring a walker to step into their path. On the other hand, San Francisco has always been more pedestrian lenient. Motorists get annoyed with “red light jumpers” and jaywalkers, but perhaps are more forgiving because they know how steep the hills are and recognize that trudging across a hill is an ordeal for the elderly, disabled, and anyone carrying a heavy bag.
In Lisbon, Portugal, the company behind the Smart car successfully tested a novel deterrence, and it didn’t do it by stationing traffic cops at every crosswalk, handing out fines, or constructing barricades. It used entertainment. Smart Company installed “dancing traffic lights” that projected moving pictographs of passersby dancing in real time in a specially designed booth. The dancing signal was so engaging that red-light jumping was reduced by 81%. Now the question is how to get pedestrians to move along and cross the street.
We all know that beautiful packaging helps sell products, but what is the effect of a package purposely designed to be ugly — not just ugly, but gross and icky?
In December 2012, Australia took an unusual approach to curb smoking. It didn’t ban cigarettes outright, but it did ban all design branding devices on cigarette packs. It outlawed any evidence of brand distinction and personality. Gone are iconic images of rugged, independent men on horseback and slim, stylish women who look like they know how to have fun. Instead Australia imposed what it described as standardized, or plain, packaging on tobacco products. Based on the premise that great design is persuasive and sells products, Australia used reverse psychology to change attitudes. It outlawed brand design elements including bright colors, logotypes, slogans, and taglines. It ruled that packs can only use Pantone 448c opaque couche, which market researchers deemed the world’s ugliest color, and the brand name now has to be shown in a specified generic font, size and location. Health warnings have to cover 60 percent of the pack’s surface, with photographs of diseases brought on by smoking. Instead of glamorizing the “coolness” of smoking, the plain packaging aims to get people to think twice about how smoking affects their health, and discourage youth from taking up the habit at all. In the first 36 months of Australia’s program, it is estimated that there are about 118,000 fewer Australians smoking as a direct result of standardized packaging. Read More »
Consider this: One out of every four car accidents in the U.S. is caused by texting when driving. Texting while driving is now the leading cause of teen deaths. The problem is prevalent anywhere on the planet that has cell phones and distracted drivers, as is evident by this print ad created by F.Biz in Sao Paulo, Brazil. This skid marks public service message wasn’t done by a car manufacturer or the highway patrol; it was sponsored by mobile-phone maker, Motorola. Read More »
How do you describe in words what autism feels like from the perspective of the person afflicted with the disorder? Sometimes verbal explanations seem inadequate, incomplete, superficial. It’s better to show it and hear it from their eyes and ears. Rattling Stick Production Company made this public service video for the National Autism Society in the UK to help viewers feel the sensory way that some autistic people experience the world. Sounds that most people don’t even notice affect them with the jarring impact of a pile driver. The video was directed by Steve Cope, with creative direction by Kit Darayam. Turn up your sound to get the full effect.
This is a 17”x 23” handout from Kaiser Permanente Healthcare. We couldn’t learn who created it, but find it effective in its simplicity. A low-budget production piece on uncoated stock, the Kaiser poster is printed on one side with a list of lame excuses for not exercising or eating right, but hold the sheet up to the light and the type set in reverse on the back side fills in the empty spaces and presents a totally opposite and much healthier point-of-view. It’s a no-frills piece that is cleverly written and designed. Bravo whoever you are. Well done.
How do you publicize something that is widely considered socially rude to talk about? It’s okay to urge people to get regular dental exams, annual mammograms, eye tests, and melanoma check-ups, but suggesting the need for a rectal exam is usually not well received (and often not meant in the kindest way). Yet colon/rectal cancer is the second most deadly cancer in America. Ironically, it is also one of the most treatable types of cancer if detected early through regular rectal exams. Meredith’s Miracles Colon Cancer Foundation wanted to bring these facts into the public discussion and asked the ad agency, FCB Chicago, to raise awareness through a public service ad campaign. FCB delivered the warning to Chicago commuters by selectively posting ads on the back side of bus seats. In this case, the placement of the ad is the butt of the joke.
Sadly, the sight of a homeless person holding a hand-scrawled sign asking for spare change has become all too familiar in cities around the world. Barcelona-based Arrels Foundation and The Cyranos McCann ad agency found a novel way to respond to such handwritten appeals. They created Homelessfonts.org to market typefaces drawn by the homeless in Barcelona to businesses for use in advertising and packaging. In different workshops, volunteer design professionals led homeless participants through various typographic exercises, which were then scanned and converted into usable fonts. The fonts are being sold on the Homelessfonts.org website, and collected funds are being used by Arrels to offer shelter, food, and social and health care services to the indigent in Barcelona. Arrels reports that about 3,000 homeless are currently in Barcelona, 900 of whom actually live in the street. Type design is an unusual charitable fund-raising initiative, to say the least, but it has given Arrels the resources to care for nearly half of the homeless in Barcelona.
The first Tuesday in November is election day in America, and tomorrow citizens are supposed to go to the polls to exercise their Constitutional right to vote. If turnout in past midterm elections is a guide, less than 40% of the voting age population will claim that privilege. Shame!
For the past few Presidential elections, the AIGA has hosted a Get Out The Vote poster campaign as a public call to action. Since the AIGA doesn’t create posters for midterm elections, we thought we’d revive some posters designed for the 2012 election. (The one above was done by Kit.)
Public service announcements (PSAs) mean well, but often times they play on people’s fears, guilt or soft-heartedness to get viewers to pay attention. That’s why these PSAs from the British Heart Foundation are so refreshing. Produced by Grey London and directed by Steve Bendelack, the new Mini Vinnie CPR ad is a sequel to one done featuring British actor/pro football player Vinnie Jones. Embedded in the spoof are some valuable tips on how to give hard and fast hands-only CPR in an emergency. These entertaining ads follow in the tradition of the British Heart Foundation’s PSA, starring British actor/playwright Steven Berkoff on how to identify the symptoms of a heart attack. They are all about stayin’ alive.
Leo Burnett ad agency made clever use of negative space to communicate Fiat’s Don’t Text and Drive message. Those who focus on the large alphabet letters often miss the silhouetted image in the negative black space. It’s a matter of perspective and where your attention is centered: On the letter “R” or the girl with a balloon? The “F” or the bus? The “N” or the dog? The subjects in the negative space are hiding in plain sight, but you have to be alert to see them.
If you’re like many of us, the more the cable TV news commentators explain how the electoral map of the United States works, the more confused we become. If viewed purely from the perspective of landmass, the red states (Republican) overpower blue states (Democratic), and the all-powerful “swing” states that supposedly will determine the outcome of the national election aren’t that important or trendsetting (sorry, the truth hurts) except during Presidential election years. So, it is enlightening to view this National Public Radio video produced by Adam Cole, although I’m not sure how listeners can see it on the radio. Never mind. If you haven’t voted yet, do. There are just a few hours left to cast your ballot if you are on the West Coast or Hawaii.
Is it possible to brand a thrift store stocked with donated goods and make it a look like a place where you’d want to shop? Goodwill in San Francisco is doing just that by giving its in-store signage, website and fleet of trucks a complete makeover.
The automobile insurance society (SAAQ) in the French-Canadian province of Quebec has launched a humorous public awareness campaign to warn Quebecers about the dangers of texting and driving. SAAQ estimates that people who text while driving are 20 times more likely to get into an accident. In Quebec, phone-related infractions climbed to 57,000 in 2011 – nearly triple the number from 2008. This is a message where you can laugh and, hopefully, learn.
This modified eye chart is more representational than accurate, but, for the most part, it gets the point across. Designed by Salt Lake City-based creative director Gary Sume, this poster for the Utah Highway Safety office advises drivers to watch out for motorcycles.
Consider this: Consumers in China went through 57 billion pairs of disposable wooden chopsticks in 2009 alone, which equates to more than 3.8 million trees. For a nation that ranks 139th worldwide in forest land per capita, that means that China’s forests may be wiped out in 20 years if consumption continues at that rate.
Last winter Greenpeace East Asia and Ogilvy Beijing teamed with artist Yinhai Xu and students from 20 Chinese universities to stage a public awareness campaign. Together, they gathered some 80,000 pairs of used chopsticks from Beijing restaurants to assemble a “Disposable Forest” in a popular Beijing shopping center. The display urged people to carry around their own pair of chopsticks when eating out and asked them to sign a pledge to stop using disposable chopsticks. The 80,000 pairs of chopsticks that were transformed into four full-sized trees are a mere sliver of how many disposable chopsticks are used worldwide. Even though wood is a renewable resource is it really worth it to cut down a tree to make an eating utensil that is used once and thrown away?
Chicago-based commercial photographer Francois Robert has a unique way of seeing things that most of us don’t see. About 20 years ago, Francois and his Swiss designer brother, Jean, made us aware of anthropomorphic features in inanimate objects such as padlocks, mops, door knockers and light switches, and photographed these expressive faces and presented them in the book, “Face to Face.”